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Dramatica Theory BookChapter
29: Storytelling and Encoding Subjective Characters Although authors use
Subjective Characters all the time they unfortunately view the Subjective
functions simply as other aspects of Objective Characters. In fact, the
two functions are most often blended into a single concept of character
that does double-duty. This is dangerous since every aspect of the argument
must be made twice: once Objectively and once Subjectively. If both roles
are blended, this can appear redundant. As a result, important points
in the separate arguments may be missing. In a temporal medium such as
motion pictures, it is often the Subjective argument that suffers as the
focus is on more objective action. In novels, the Objective Story is often
flawed as the spatial nature of a book favors the Subjective view. The Main Character is Not Necessarily the Protagonist Many authors are not
aware that a Protagonist does not have to be the Main Character. When
we stop to think about it, many examples come to mind of stories in which
we experience the story through the eyes of a character other than a Protagonist.
Yet when it comes to writing our own stories, many of us never diverge
from a Protagonist/Main combination. |
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