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Dramatica Theory Book

Chapter 24: Storytelling and Storyforming Structural Appreciations

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Storyforming Structural Appreciations

By answering the eight essential questions we greatly refine our understanding of the way our story will feel to our audience. The next task is to clarify what it is we intend to talk about. In the Theme section of The Elements of Structure we were introduced to the various Appreciations an audience will look for in the course of experiencing and evaluating a story. Now we turn our attention to examining the issues we, as authors, must consider in selecting our story's Appreciation's. We begin with the Appreciations that most affect Genre, then work our way down through Plot and Theme to arrive at a discussion of what goes into selecting a Main Character's Problem.

Selecting the Domains in your story

One of the easiest ways to identify the four Domains in your story (Objective Story, Subjective Story, Main Character, and Obstacle Character) is by looking at the characters that appear in each Domain. Who are they? What are they doing? What are their relationships to one another? Clearly identifying the characters in each throughline will make selecting the thematic Domains, Concerns, Ranges, and Problems for the throughlines much easier.

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Copyright © 1994-2006 Write Brothers, Inc. All Rights Reserved.
Based on theories and materials developed by Melanie Anne Phillips and Chris Huntley
Dramatica is a registered trademark of Screenplay Systems Incorporated. Patent #5,734,916; #6,105,046