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Dramatica Theory Book
Chapter
19: The Elements of Structure -- Genre
- Previously, we
have seen that the characteristics which build the Objective Characters
reside at the Element level of the Thematic Structure. Theme itself
emanates most strongly from the Variation level. Plot is generated in
the Types. It should not be a surprise, therefore, to find that Genre
is most influenced at the Class level. In fact, matching a point of
view to a Class creates a story's Domains, and it is these Domains that
have the greatest structural impact on Genre.
As one moves up the Dramatica structure, looking from Character to Theme
to Plot, the structural components (the Elements, Variations, and Types)
take on a decreasing significance to the finished work compared
to the storytelling aspects involved. Objective Characters are very
easy to define solely in terms of their Elemental dramatic functions.
Theme is a bit less tied to the structure as it explores the comparison
between two dramatic Variations whose balance must be established by
the author in the process of storytelling. Plot can be looked at rather
precisely in terms of Acts, but is less so when it comes to thematic
Sequences. At the Scene resolution of Plot a large part of what goes
on is storytelling. At Event resolution, determining exactly what events
ought to occur is almost exclusively storytelling, with the events falling
into four broad structural categories.
Following this progression it stands to reason that Genre, which centers
on the Class level just above where Plot is found, would be the least
structural of story aspects and also the most influenced by storytelling.
And so it is.
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In a casual sampling
of traditional Genres, we immediately notice that Genre sometimes refers
to the setting of a story, as in Westerns or Science Fiction.
Other times, it describes the relationships between characters such as
Love Stories and Buddy Pictures. Genre might pertain to
the feeling an audience gets from a story as in Comedy and Horror
Stories. Even styles of storytelling can have their own Genres like
Musicals or Character Studies.
With all these different duties performed by the word Genre, how can we
hope to define it? An attempt is made by video rental stores. All the
old standards are there dividing the movies on their shelves: Action,
Drama, Children's. This is fine for picking out what you want to watch
some evening, but not much help to authors trying to create stories of
their own.
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