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So, that's how we turn the flood of story items into a narrative string of events: we start with the bare bones, the irreversible changes that make the spine of our script and turn them into a completely fleshed out scenes.  We find their proper place, and when all falls into their right spot, we look for enticing actions and descriptions that'd tell our appreciations in a way that's worth watching.

Let's go one step further; let's see how to gain complete control of our scene's characters and settings, so we can tell our story without depending on where it happens or who goes into which scene.