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You get the idea: different approaches give different emphasis to our subplots. The only way to determine the precise emphasis a subplot needs is to write several drafts and see which one works best. # Okay, through the last five chapters we've developed our characters extensively. Now it is time to extensively develop the rest of our story. That's what we'll do in the following section. |
| Based on a theory and materials developed by Melanie Anne Phillips and Chris Huntley None
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