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So, basically, that's how I weave characterization into a screenplay. Am I forgetting something? Oh, of course, the main rule: Never Interrupt The Narrative Flow To Expose Your Characterization. When I've completed the first draft, I read it thoroughly, and if any characterization item feels out of place, I throw it away. Merciless as always. We now have Personality and Characterization. What else is there to a character? How about relationships? Let's see how a character interacts with another in the next chapter. |
| Based on a theory and materials developed by Melanie Anne Phillips and Chris Huntley None
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