Movie Reviews:
Planet
Of The Apes
Review by Katharine
E. Monahan Huntley
In the X-Files
episode, War of the Coprophages, Scully and Mulder engage in
typical conversation:
Scully:
Mulder, I think the only thing more fortuitous than the emergence
of life on this planet is, that through purely random laws of biological
evolution, an intelligence as complex as ours ever emanated from it.
The very idea of intelligent alien life is not only astronomically
improbable, but at its most basic level, downright anti-Darwinian.
Mulder:
. . . I understand what you're saying, but I just need to keep looking.
Scully:
Yeah, well don't look too hard, you might not like what you'll find.
Mulder:
Isn't that what Dr. Zaius said to Charlton Heston at the end of Planet
of the Apes?
Scully:
And look what happened.
The 1968 film, Planet
of the Apes, written by Michael Wilson and Rod Serling (based on
the novel Monkey Planet by Pierre Boulle) and directed by Franklin
J. Schaffner, is a significant work of science fiction in that, not
only does it offer "fantastic story" but it "plays with
the idea of time warps as a chance for allegory. People struggle through
time only to learn that the conclusion of past (objective
story benchmark; os signpost 4) events is inescapable, no matter
how they may sidestep the time slots when those events occurred. . .
. This sort of story was designed to draw parallels to the modern day;
through showing a transfigured future (os signpost 1),
a lesson about the present was intended" (Donaldson 1355).
The objective
story is the situation (os domain-universe) of astronauts
who, having completed their time travel mission, crash land (story
driver-action) on an unknown planet before they can return to Earth.
Taylor (Charlton Heston) is the main character and leader of
the expedition (mc domain-physics). To his two other crew members,
Landon and Dodge (the fourth crew member, Stewart, has expired), he
announces: "Okay. We're here to stay" (mc solution-inaction).
For at least ss signpost 1-subconscious, the subjective
story is examined through Taylor and Landon's conflicting viewpoints.
Landon is prepared to die for his idealism; Taylor states definitely:
"I'm not prepared to die . . . I'm a seeker too (mc concern-learning).
But my dreams aren't like yours. I can't help thinking somewhere in
the universe there has to be something better than man. Has to be."
Each holds a fixed state of mind (ss domain) regarding
what kind of man they are, particularly exemplified in an unwillingness
to reevaluate (ss focus) their respective opinions of
each other.
Chancing upon mute
caveman-like creatures foraging for food, Taylor, in his arrogance (a
marked characteristic that alienates him from others--mc growth-stop),
remarks: "If this is the best that they've got around here, in
six months we'll be running this planet." Ape Alert! Taylor, et
al are soon ensnared by the real rulers of the planet--monkeys. "Rod
Serling's script presents the "Planet" as a looking-glass
world where men are apes and apes are men" (Donaldson 1355).
As the astronauts
are intelligent and articulate humans--they are a direct threat to the
Simian society's status quo (story goal-present). Shot in the
vocal cords, it is some time later before Taylor can utter his first
words "Take your stinking paws off me you damn dirty ape!"
(mc focus-reaction) Dr. Zira, a psychologist chimpanzee, and
her fiancé, Dr. Cornelius, however, take an interest in the human.
It is their protection (os problem) of Taylor that brings
him to the negative attention of Dr. Zaius (hand-off obstacle
character) and jeopardizes their respective careers (os thematic
counterpoint-work). Dr. Zaius is a politician, an orangutan expert
at manipulating (oc domain-psychology) the populace. He monitors
the scientists' ideas (oc concern-conceiving):
Dr. Zira:
I wonder how he'd score on a Hopkins' manual dexterity test?
Dr. Zaius:
. . . Dr. Zira, I must caution you. Experimental brain surgery on
these creatures is one thing . . . but your behavioral studies are
something else again. To suggest that we can learn anything about
the Simian nature from the study of man is sheer nonsense! . . . Man
is a nuisance. He eats up his food supplies in the forest, then migrates
to our green belts and ravages our crops. The sooner he is exterminated
the better. It's a question of Simian survival.
Undeterred, Zira
introduces into Taylor's cage the beautiful Nova, a mute cavewoman (and
"the only girl in town"), in the hopes they will mate. Frustrated
by his inability to speak, Taylor takes every opportunity to prove he
can write (mc direction-proaction), and when Nova unwittingly
interferes, he hurls her, and anyone else who gets in his way, aside
(mc approach-doer).
Zira believes Taylor
is an exceptional case, and asks Cornelius and the others to reevaluate
(os focus) the man. Taylor's need (mc critical
flaw) to escape undermines his efforts to effectively communicate--he
breaks free only to be seized and brought before a tribunal. To verify
his assertions, and to ostensibly treat the hearing with fairness, the
tribunal sets out to evaluate (os direction) the rest
of Taylor's crew--to no avail. Dodge is a stuffed curiosity on museum
display; Landon is lobotomized.
Taylor acts out
again, and yet again is captured:
Dr. Zaius:
Now the tribunal has placed you in my custody for final disposition.
You realize what that means? . . . Emasculation . . . experimental
surgery on the speech centers, on the brain . . . however, I have
it in my power to grant you a reprieve. . . . Tell me who and what
you really are and where you came from and no veterinary shall touch
you.
Dr. Zaius is aware
of the possibility (oc problem) of men such as Taylor
threatening society, and in anticipation of a humankind proliferation
(ss problem-production) queries (ss thematic counterpoint-investigation)
the prisoner: "Where is your tribe? Where were you nurtured? Where
are your women?" Taylor's answers are unsatisfactory--Dr. Zaius
gives him six hours to think about it (ss concern-conscious)
and orders him back to his cage.
Zira and Cornelius
spring the prisoner. Taylor's insistence that Nova go with him, despite
the fact it will hinder escape, indicates his eventual change
(mc resolve)--underscored later when he affectionately kisses
Zira good-bye. The fugitives head for the "forbidden zone"
where Taylor (with Nova) will strategize (mc thematic issue)
his next move, and Zira and Cornelius intend to dig up evidence to acquit
them from heresy charges.
Much to their chagrin,
Dr. Zaius has followed with troops. With Taylor's gun trained on him,
however, Dr. Zaius considers (ss concern-conscious) the man's
proposal to examine Cornelius' evidence of a culture that has existed
before the Simians' (os signpost 4-past):
Taylor:
When were those sacred scrolls of yours written?
Dr. Zaius:
1200 years ago.
Taylor:
. . . If they [Cornelius and Zira] can prove those scrolls don't tell
the whole truth of your history, if they can find some real evidence
of another culture, from some remote past, will you let them off?
Dr. Zaius:
Of course.
Taylor finds meaning
in the artifacts (male mental sex) to convince Dr. Zaius:
Cornelius:
What are you doing?
Taylor:
Reconstructing a past life. . . . Whoever owned them must have been
in pretty bad shape, he wore false teeth, and eyeglasses, and a .
. . failing heart . . . towards the end with this prefabricated valve
. . . I don't say he was the same man like I knew at home, but he
must have been a close relative because he had all the same weaknesses.
He was a weak, fragile animal, but he was here before you. And he
was better than you are!
Dr. Zaius:
. . . I can offer alternate descriptions for every one of those articles!
A skirmish caused
by the gorilla thugs breaks out, and in the confusion Taylor takes Dr.
Zaius hostage. At this time Dr. Zaius admits to Zira and Cornelius he
has always known man existed before apes--and that man is a "natural
born killer" who must be shunned: "I found nothing in that
cave to alter that conception of man and I still live by its injunction"
(oc resolve-steadfast).
Dr. Zaius adheres
to Taylor's demands for supplies and freedom. As Minister of Science
and Chief Defender of the Faith (a dual position he does not consider
as conflict of interest), using expediency (oc thematic
counterpoint; oc unique ability) is necessary (oc
thematic issue) for eliminating Taylor. It reduces (ss
solution) the chances of his kind destroying Simian society. His
release of Taylor (os solution-inaction) to his destiny is a
calculated risk (oc solution-probability), and along with his
command to seal off the cave (story limit-optionlock),
the story results in an outcome of success:
Zira:
What will he find out there, Dr.?
Dr. Zaius:
His destiny.
"Taylor runs
off . . . across a wasteland to discover the Statue of Liberty, dramatically
buried up to its neck in sand. . . . His world . . . has been destroyed;
an atomic war left only the apes to evolve in a new world filled with
literally bestial humans" (Donaldson 1356) (mc benchmark-understanding).
Anguished, Taylor sinks to his knees "You maniacs! You blew it
up! Damn you! God damn you all to hell! (judgment-bad).
Paying homage to
the sociological implications of the Planet of the Apes, the
War of the Coprophages posits more questions than provides answers:
Dr. Ivanov:
May I borrow this [cockroach exoskeleton], Agent Mulder, for further
study?
Mulder:
I've already had a similar sample analyzed, it's nothing but common
metals. What do you hope to find from it?
Dr. Bambi:
His destiny.
Dr. Ivanov:
Isn't that what Dr. Zaius said to Zira at the end of the Planet
of the Apes?
Dr. Bambi:
It's one of my favorite movies.
Dr. Ivanov:
Mine too. I love science fiction.
| Aside from quotes taken from the Planet
of the Apes film, others are: X-Files--War of the Coprophages
Written by Darin Morgan Air Date 1/5/96; Planet of the Apes in
Magill's Survey of Cinema Written by Leslie Donaldson 1980. |
[See
Planet of the Apes Storyform for the Dramatica story engine
settings.]
An alternative
storyform determined by the Dramatica Users Group (DUG) is also available
to examine. To understand the differences between the two interpretations
of the film, read the DUG
Minutes for July 1998.
[See
Planet of the Apes Storyform Version B for the Dramatica
story engine settings.]
|