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Storytelling Output Report

for

"The Wild Bunch"


ANALYSIS INFORMATION:


  •  General Storytelling:
 Complete
  •  Act Order Storytelling:
 Complete
  •  Character List:
 All major objective characters
  •  Build Characters:
Partial


  Author:

  Walon Green and Sam Peckinpah

 Analysis sources: 

 

Film, Warner Brothers, 1969. (Original Director's cut, on Warner Home Video, 1995)

Green, Walon and Peckinpah, Sam. Unpublished Production Screenplay, Final Draft 10/26/67. Story by Walon Green and Roy N. Sickner.

Bliss, Michael. Justified Lives: Morality and Narrative in the films of Sam Peckinpah. Southern Illinois University Press. Carbondale, IL. 1993.

Bliss, Michael, Editor. Doing It Right: the Best Criticism on Sam Peckinpah's The Wild Bunch. Southern Illinois University Press. Carbondale, IL. 1994.

Cinemania CD-ROM. Microsoft. 1995.

Fine, Marshall. Bloody Sam. Donald I. Fine, Inc. New York, NY. 1991.

Magill's Survey of Cinema. First series: Vol. 4. Salem Press. Englewood Cliffs, NJ. 1980.

Seydor, Paul. Peckinpah: The Western Films. University of Illinois Press. Urbana, IL. 1980.

Weddle, David. "If They Move...Kill 'em!": The Life and Times of Sam Peckinpah. Grove Press. New York, NY. 1994.

 Genre:

  Western

 Setting:

  The wild west frontier, between South Texas and Mexico

 Period:

  1913

 Analysis by:

  Kevin Hindley


Brief Synopsis:

"Aging outlaws with their own code of ethics find themselves passé in 1913 and decide to retire after one final haul."

(Leonard Maltin review, in Cinemania)

 

Objective Character Mini-Synopsis:

PIKE BISHOP is an aging armed robber who holds his Wild Bunch together with the credo 'Stick Together,' which he ignores when convenient. His most apt pupil is--

CRAZY LEE STRINGFELLOW, a wild young halfwit who likes to kill, and will wait "till hell freezes over" for the opportunity, even when he's abandoned by Pike to be shot by--

PAT HARRIGAN, a railroad executive who may have coined the phrase "acceptable casualties." To bring back Pike in a box, he paroles from jail--

DEKE THORNTON, another of Pike's leave-behinds and his ex-partner. Unlike Pike, he's true to his word, and holds together with threats his bunch of bounty hunters such as--

COFFER, a human buzzard and oral gold-digger who squabbles over corpses with--

T.C. NASH, a "redneck peckerwood" who's only one step lower on the evolutionary scale than--

LYLE and TECTOR GORCH, two selfish brothers who have no group loyalty to the Bunch, especially to old-timers like--

FREDDY SYKES, once a top gunslinger but now reduced to tending horses and cooking meals for Wild Bunch members such as newcomer--

ANGEL, an idealistic young Mexican who would die for love or honor, and does so for both at the hands of--

MAPACHE, self-serving 'General' of the Mexican government forces, who loots and rapes under color of office, ignoring fair-minded men like--

DUTCH ENGSTROM, the Wild Bunch's second in command and moral force, who knows there's no retirement plan for gunslingers.


THE OBJECTIVE CHARACTERS:

 

Name: Pike Bishop
Gender: Male
Description:

PIKE BISHOP, wearing lieutenant's bars rides slightly ahead of the others. He rides stiffly, always slightly in pain. Pike is a not unhandsome, leather faced man in his early forties. A thoughtful, self-educated top gun with a penchant for violence. He is afraid of nothing -- except the changes in himself and those around him.Make no mistake, Pike Bishop is not a hero -- his values are not ours -- he is a gunfighter, a criminal, a bank robber, a killer of men. His sympathies are not for fences, for trolleys and telegraphs or better schools. He lives outside and against society because he believes in that way of life and if he has moments of sympathy for others, moments of regret, they are short lived. He is not a 'good man' according to the righteous...To them he is totally bad, and he wouldn't have it any other way.

(Green and Peckinpah, p. 1)

Role: Leader of the Wild Bunch
Characteristics:

Motivation: Logic; Reconsider; Control; Avoidance; Faith; Help;
Methodology: Certainty; Deduction; Reevaluation;
Evaluation: Theory; Expectation; Unending;
Purpose: Ability; Thought; Self Aware; Perception; Order; Inertia;

 

 

Name: Deke Thornton
Gender: Male
Description:

...DEKE THORNTON, an older man crouching next to him. Thornton has a deeply lined face and the resigned manner of a man who has changed sides to stay alive, although part of his life has gone out of him with the change.

(Green and Peckinpah, p. 5)

Role: Judas Goat
Characteristics:

Motivation: Consider; Pursuit; Disbelief; Oppose;
Methodology: Reaction; Acceptance; Evaluation;
Evaluation: Hunch; Determination; Process;
Purpose: Desire; Change;

 

 

Name: Angel
Gender: Male
Description:

Angel is a good-looking, bilingual, Mexican boy in his middle 20's who has seen so much blood and violence and cruelty under Diaz that he rebelled -- but his rebellion was not with Villa or Obregon, his was a one man revolution against them all. He believes in his family, his village and the inherent dignity of man (some men at least). He is faster than his companions with a gun -- and a better shot -- but he can't laugh at the loss of love or suffer the loss of pride -- Mexican pride -- a pride that can kill him, but if it does, he will have no regrets.

(Green and Peckinpah, p. 2)

Role: Idealist of the Wild Bunch
Characteristics:

Motivation: Feeling; Uncontrolled; Temptation;
Methodology: Potentiality; Production; Nonacceptance;
Purpose: Aware; Equity; Projection;

 

 

Name: Coffer
Gender: Male
Description:

"COFFER AND A SOUTHERNER, T.C. NASH, are stripping the pockets of one body while arguing over whose shot killed the man."

(Green and Peckinpah, p. 12)

Role: Egg sucking chicken stealing gutter rat
Characteristics:

Methodology: Protection;

 

 

Name: Crazy Lee Stringfellow
Gender: Male
Description:

"CRAZY LEE STRINGFELLOW, a young, compulsive killer with just enough sense to pour piss out of a boot (if the instructions are printed on the heel)."

(Green and Peckinpah, p. 6)

Role: Psycho killer of the Wild Bunch
Characteristics:

Evaluation: Trust;Purpose: Chaos;

 

 

Name: Dutch Engstrom
Gender: Male
Description:

...DUTCH ENGSTROM wears the uniform of a sergeant. Dutch is big, young, good-natured with a fast gun hand, strong loyalty and, like Pike, a bone deep distaste for rules and regulations. He can sing, has more than his share of charm, but believes in nothing except two men, and Pike is one.

(Green and Peckinpah, p. 1)

Role: Conscience of the Wild Bunch
Characteristics:

Motivation: Conscience; Support;
Purpose: Knowledge; Actuality;

 

 

Name: Freddy Sykes
Gender: Male
Description:

"FREDDY SYKES, an old man in tattered range clothes crosses to Pike as he unloads his saddle bags"

(Green and Peckinpah, p. 21)

Role: Wise old cook of the Wild Bunch
Characteristics:

 

 

Name: Lyle and Tector Gorch
Gender: Male
Description:

...two brothers, LYLE and TECTOR GORCH, dressed as corporals. Lyle and Tector are big, tough, hot-tempered and sudden. They work together, eat together, and sometimes sleep together with the same whore. Brutal, vicious in a fight, illiterate, they are always pressing for an advantage and once they get it -- they never let it go. They are without loyalty or honor, to anyone except each other and that is limited.

(Green and Peckinpah, pp. 1-2)

Role: Greedy Brothers of the Wild Bunch
Characteristics:

Motivation: Hinder;
Methodology: Possibility;
Evaluation: Test;

 

 

Name: Mapache
Gender: Male
Description:

"The group shows deference to a large man wearing general's braid. EL MAPACHE."

(Green and Peckinpah, p. 43)

MAPACHE AND HIS GROUP ARE SEATED AT A TABLE which is slightly raised above the others. It is obvious from his position and respect accorded him that he is the local boss of the area.

(Green and Peckinpah, p. 46)

Role: Mexican Army General
Characteristics:

Methodology: Probability;
Purpose: Inequity; Speculation;

 

 

Name: Pat Harrigan
Gender: Male
Description:

PAT HARRIGAN, A SMALL DAPPER SELF-IMPORTANT BACK-SHOOTING RAILROAD EXECUTIVE IS SITTING IN THE MIDDLE OF THE MEN --(ALL HARDCASES) , straining to see through sweat-stained glasses onto the street below.

(Green and Peckinpah, p. 5)

Role: Railroad Executive
Characteristics:

Methodology: Proaction; Induction;
Evaluation: Result; Ending;

 

 

Name: T.C. Nash
Gender: Male
Description:

"COFFER AND A SOUTHERNER, T.C. NASH, are stripping the pockets of one body while arguing over whose shot killed the man."

(Green and Peckinpah, p. 12)

Role: Two-bit redneck peckerwood
Characteristics:

Methodology: Inaction;


AUDIENCE AND STORY DYNAMICS APPRECIATIONS:

 

Nature as it relates to Apparent Work:

Pike recognizes that the times are changing, blaming that for his troubles:

PIKE
It just can't be done anymore. Ten years ago it
was some shaky drunk with a tin badge that
hid in the gin mill till you cleared town with
your grab...Now, they're waitin' for you
-- with old friends.

(Green and Peckinpah, p. 16)

But, unlike Thornton who goes with the flow, he won't face the fact that he should adapt to those changes:

PIKE
I don't know any better -- maybe don't want any
better. I wouldn't know what to do with 'better'
if it poked me in the eye with a sharp stick.

(Green and Peckinpah, p. 28)

 

 

Essence as it relates to Positive Feel:

Harrigan's efforts focus on bringing Pike in so the railroad robberies will end; Thornton, with his bounty hunters, doggedly pursues the Wild Bunch in order to keep his word to Harrigan; Pike and his men see one last big heist as the solution to their problem, and strive to achieve it; etc.

 

 

Tendency as it relates to Unwilling:

While Pike's eager to commit robberies, he finds himself a step behind in an increasingly mechanized world of machine guns and motor cars:

PIKE
We got to start thinking beyond our guns --
them days are closin' fast.

(Green and Peckinpah, p. 26)

Despite these words, he remains unwilling to adapt to the changing times.

 

 

Reach as it relates to Female:

Women will empathize with Pike as a character with increasingly limited options as the wild frontier environment he thrives in shrinks. With a female mental sex, he struggles to hold together his family of rebellious "children" in the Wild Bunch.

 

 

Resolve as it relates to Steadfast:

A person's character is best defined by their deeds, not their words. Though Pike discusses changing his lawless, gunfighting ways, it's the only lifestyle he knows and he hangs onto it, a dinosaur in changing times. He stands by his code of loyalty:

PIKE
We started together -- we'll end it together.

(Green and Peckinpah, p. 33)

--and finally refuses to leave Angel to die alone in Mapache's hands, leading the Bunch in their final shootout.

 

 

Approach as it relates to Do-er:

Knowing that the bounty hunters are waiting for him, Pike pushes the Paymaster out the door first; When the buckshot Buck can't go on, Pike executes him; When his stirrup breaks, Pike heaves himself back into the saddle without it; Concerned about being double-crossed by Mapache, Pike booby-traps the gun wagon with dynamite; etc.

 

 

Direction as it relates to Stop:

Pike Bishop is "tired of being hunted." He hides out in Mexico, holding out for his pursuers -- "Railroad men-- Pinkertons -- bounty hunters." -- especially Thornton, to give up or be killed by Mapache's men.

 

 

Mental Sex as it relates to Female:

When his "family" members squabble amongst themselves, Pike gives them pep talks in an effort to hold the Wild Bunch together:

SYKES
That was a mighty fine talk you gave the boys
'bout stickin' together. That Gorch was near killin'
me -- or me him --

(Green and Peckinpah, p. 33)

With Thornton closing in, and his own men ready for fight or flight, Pike looks at the bigger picture:

LYLE
We kin stay right up here and kick hell out
of 'em.

PIKE
No water.

DUTCH
Make a run for the border?

PIKE
They'd be after us every step of the way -- I
know Thornton. No, I'm tired of being hunted --
we go back to Agua Verde and let the general take
care of those boys.

LYLE
You're crazy!... Back with those greasers!

PIKE
He's so tickled with the guns he'll be celebrating
for a week and happy to do us a favor. Thornton
ain't going after us in there. While they're busy
picking over old Freddy's pockets, we'll take the
back trail off this mountain and head for town.

(Green and Peckinpah, p. 99)

NOTE: The obstacle character, Deke Thornton, also has a female mental sex. He too, tries to hold together his group of misfits, but by using threats. He's able to grasp the bigger picture of how things work, which allows him to work for Harrigan and to join Sykes at story's end. He can intuit what Pike is thinking at any given time, as they share the same problem solving techniques.

 

 

Outcome as it relates to Failure:

Though the Wild Bunch receive gold from Mapache in return for the guns, and it turns out to be their last big heist, they don't escape to enjoy it. They are killed, as are Mapache and the bounty hunters. Angel's hope of liberating his people from oppression does live on in the form of Sykes and Thornton, though the gold remains buried in a place unknown. Thornton fails to either kill the Wild Bunch or take their bodies back as promised (though he allows his bounty hunters to try), and becomes an outlaw again.

 

 

Judgment as it relates to Bad:

Pike never gets the chance to put right the personal wrongs he's experienced in the past: he doesn't get revenge on the man who killed his woman, and for abandoning Thornton there's no forgiveness -- only death for another's (Angel's) cause offers any kind of redemption at all.

 

 

Work as it relates to Decision:

Harrigan decides to wait until the Wild Bunch come out of the railroad office and catch them in the act, thus causing the townspeople's slaughter; Thornton makes a decision to hunt down Pike rather than face jail; Pike allows Angel to take a case of guns, leading to his capture by Mapache; The Wild Bunch decide to go for the gold and get guns for Mapache; Pike decides to rescue Angel from Mapache's men; etc.

 

 

Limit as it relates to Optionlock:

The Wild Bunch run out of options in trying to get Angel back from Mapache: Pike tries to buy him back with Angel's share of the gold, then with half of his own, but Mapache won't bargain:

MAPACHE
No, I don't need gold...I don't sell that one.

(Green and Peckinpah, p. 103)

Finally, confronted by the determined Wild Bunch, he relents:

MAPACHE
You want him...? Take him... [...]

MAPACHE GRABS HIM BY THE HAIR and his other hand flashes across the boy's throat as he shoves Angel into the Americans, the blood splattering them from his severed throat.

AS PIKE STEPS BACK TO AVOID Angel's falling body, he draws his forty-five automatic and fires twice into Mapache.

(Green and Peckinpah, p. 108)

The climactic shootout ensues.


THE OBJECTIVE STORY THROUGHLINE:

 

Throughline Synopsis:

The film begins with the Wild Bunch holding up a bank in a desert town while the railroad has its bounty hunters waiting in ambush. The gang spies the trap midway through the robbery, and as the town temperance union coincidentally marches unaware down the street, the bunch makes their break using them as a shield. The trap is sprung anyway. In the slow-motion blood ballet that follows, some gang members are killed and [one is] abandoned, as the decimated gang takes refuge in Mexico. The bounty hunters follow in pursuit. They are led by Deke Thornton, once the closest friend of Wild Bunch leader Pike Bishop, until Pike had abandoned him in the face of oncoming lawmen. Now, in order to win parole, Thornton must bring Pike back.

The gunfight's setting in the town is a harbinger of one of the prevailing themes of The Wild Bunch: the frontier is closed. It is, in fact, 1913, and in entering Mexico, the bunch knowingly is entering a three-sided conflict between Pancho Villa's rebels, the Mexican establishment embodied by a corrupt warlord named Mapache, and the U.S. government, which is calling out the army to defend the border against Villa's raids.

The gang chooses to work for Mapache. For $10,000, they will steal a shipment of arms from a U.S. Army supply train. Although Thornton is aboard, the raid is a success. The bunch stands off Mapache's troops who have come to kill them and then claim the arms without making payment. Afterwards, they trade the guns for money in a pre-arranged rendezvous. As a result, Mapache apprehends Angel, a young Mexican member of the Wild Bunch whose village Mapache has ravaged. Mapache accuses Angel, correctly, of having taken a portion of the shipment to arm the rebels. Meanwhile, still pursued by Thornton, the Bunch must seek refuge in Mapache's village. There, in drunken debauch, Mapache tortures Angel. This action Pike finally cannot abide. [He offers] to return [half his] money for Angel. The drunken Mapache produces Angel but slits his throat. Enraged, Pike and Dutch Engstrom kill Mapache. In the ensuing climactic gunfight, the gang uses the stolen armaments--a machine gun, grenades, and explosives--to decimate the army and the village before they themselves finally succumb to gunfire. [...] The bounty hunters claim the bodies, but Thornton elects to stay and fight with the rebels, who have rescued Sykes.

(Magill's, p. 1846)

 

 

Backstory:

In the screenplay, voice-over narration leads us into the story:

NARRATOR
To most of America in 1913, the Age of
Innocence had arrived and the stories of the
Indian Wars and the Gold Rush and the Great
Gunfighters had become either barroom ballyhoo
or frontporch reminiscences...But on both sides
of the Rio Grande men still lived as they had in
the '70's and '80's -- unchanged men in a
changing land.

(Green and Peckinpah, p. 1)

 

 

Domain as it relates to Physics:

The members of the Wild Bunch are concerned with robbing the railroad, trying to make one last big score; Harrigan, Thornton, and the bounty hunters track the Bunch down and set traps for them; Mapache wages war against Villa's forces and tries to improve his arsenal.

 

 

Concern as it relates to Obtaining:

The Wild Bunch robs the railroad to get gold; As robbing the railroad gets more difficult, Pike and the Gorch brothers are after one last big score; Angel wants guns to give his people power against the oppressive government; Mapache wants guns to empower him against Villa; Harrigan wants Pike and his men dead, to make his railroad safe; Thornton wants to capture Pike, his "get-out-of-jail-free card"; The bounty hunters want the reward money on the Bunch's heads.

 

 

Range as it relates to Self Interest :

The Gorches argue that Angel and Sykes shouldn't get the same share of the loot as them; Thornton's primary concern is keeping himself out of jail; Angel kills Teresa because if he can't have her, then Mapache can't either; Coffer and T.C. loot corpses for personal gain; Mapache aims to be "the best armed General in Mexico;" Dutch leaves Angel at Mapache's mercy and escapes with his gold; Pike runs out on Thornton at the whorehouse; Pike offers only half his share to buy back Angel from Mapache; etc.

 

 

Counterpoint as it relates to Morality :

Thornton pleads with Harrigan for the plight of the innocent townspeople in Starbuck:

THORNTON
They should have been told!

(Green and Peckinpah, p. 6)

Crazy Lee sacrifices himself for the benefit of Mr. Pike; To hold the Bunch together, Pike appeals to their sense of loyalty for the benefit of the group; Angel steals guns (and Pike lets him) to give to his oppressed people; Dutch and Sykes argue for going back and rescuing Angel; The Wild Bunch do go back for Angel, knowing they risk their own lives -- and in the ensuing battle, rid the region of oppression; Thornton joins with Sykes to fight for the cause of Angel's people; etc.

 

 

Thematic Conflict as it relates to Self Interest vs. Morality:

Many of The Wild Bunch's linked statements and actions reflect oppositions between cohesion and dissent, idealism and materialism, altruism and selfishness.... The materialistic realm, which involves an emphasis on money and selfishness (with an attendant destruction of group unity), is characterized most aptly after the Starbuck massacre when an argument about apportioning the "silver" occurs. The Gorches don't want Sykes or Angel to have shares equal to everyone else's, which leads to guns being drawn on all sides. The dissension is most aptly characterized by Pike when he says, "Go on, go for it, fall apart." Opposed to this strain is the idealistic realm, in which, despite petty antagonisms, the men stay together because of their feelings of loyalty to one another, a state also successfully characterized by Pike after Tector threatens to "get rid of" Sykes. Pike then delivers...: "When you side with a man you stay with him, and if you can't do that you're like some animal, you're finished, we're finished, all of us." The use of the plural pronoun signals precisely the kind of unity about which Pike is talking.

The two elements are vital to The Wild Bunch because, if nothing else, the film is about the difficulty of making choices. It's significant that in the majority of the cases in which we find moral linkages, the example signifying dissent, materialism, or selfishness occurs before the one signifying cohesion, idealism, or altruism. The implication is unavoidable: what we witness in The Wild Bunch is the triumph of the ideal over the material realm.

(Bliss, p. 85)

 

 

Problem as it relates to Pursuit:

The Wild Bunch's pursuit of easy money to be taken at gunpoint puts them in conflict with their favorite target, the railroad -- whose representative Harrigan sends Thornton and the bounty hunters to bring them in, dead not alive. Angel's pursuit of fiancee Teresa into Mapache's camp causes problems with Mapache, but not as much as his theft of guns for his people -- necessary to achieve their independence.

 

 

Solution as it relates to Avoidance:

If Pike and his Wild Bunch steered clear of the railroad and its offices, Thornton and Harrigan's men would have great difficulty finding them; If Angel had kept away from the unfaithful Teresa, he wouldn't have killed her -- and would have avoided her grieving mother's betrayal of him to Mapache; If Pike and the Bunch had left Angel to his fate, they would have escaped death in Mapache's camp.

 

 

Focus as it relates to Control:

Mapache keeps the Mexican villagers under his thumb by way of superior force; Harrigan controls Thornton with threats of a return to jail if Pike's not brought in; Pike regulates his Wild Bunch with repeated appeals for group loyalty, and threats to split up the group; Thornton controls his bunch of bounty hunters with consequences of death if they go back empty-handed, and his threat to leave them in the desert to die.

 

 

Direction as it relates to Uncontrolled:

Lyle and Tector Gorch are constant threats to the Wild Bunch's cohesiveness, whining about splitting their share and disrespecting the Mex (Angel) and the old man (Sykes) and even Pike; Crazy Lee is an out-of-control killer, which is why Pike leaves him with the hostages; Frenzy results when the bounty hunters shoot into the townsfolk in Starbuck; The unfocused bounty hunters shoot their own side, the U.S. Army; Mapache spins around with the machine gun, bullets flying everywhere; Angel lets his emotions run rampant, shooting Teresa and almost hitting Mapache; etc.

 

 

Stipulation as it relates to Learning:

The objective characters measure their progress by what they learn. In Starbuck, Thornton and Harrigan learn that the 'soldiers' are the Wild Bunch they're after, and Pike learns that Thornton is after him; Dutch learns that Pike and Thornton parted under bad terms, and asks about the botched robbery:

DUTCH
How about us, Pike? You reckon we learned,
being wrong today?

PIKE
I sure hope to God we did.

Angel learns from Don Jose that Mapache killed his father and took his fiancee Teresa as a whore; A child soldier brings Mapache a telegram informing him of the successful raid on the munitions train; Angel learns that Teresa's mother informed on him about the theft of Mapache's guns.

 

 

Catalyst as it relates to Attitude:

Pike's merciless attitude towards civilians in the railroad office determines how Thornton's ambush will play out:

PIKE
If they move, kill them.

Harrigan's attitude toward Thornton propels him to go after Pike:

HARRIGAN
You fail and I'll see you rot to death
in Yuma.

(Green and Peckinpah, p. 20)

Mapache's stubborn refusal to bargain over Angel leaves the Wild Bunch no choice but to confront him with violence; etc.

 

 

Inhibitor as it relates to Choice:

Thornton's decision to catch the Wild Bunch on the way out of the railroad office allows them to avoid capture, under cover of the Temperance march; Angel's decision to shoot Teresa almost gets the Bunch killed and backfires when her mother informs on him about the rifles; Pike's decision to allow Angel to take one case of the guns causes problems with Mapache; Pike's decision to get Angel back from Mapache leads to the final confrontation and ensures the Bunch won't get away with the gold.

 

 

Goal as it relates to Obtaining:

Everyone in and around the Wild Bunch is concerned with getting the gold and getting away: Both Pike and the Gorch brothers are out for one last, big heist; Angel wants to use his share to buy guns for his people; Thornton provides opportunities for the Bunch to rob the railroad so he can kill them in the act and avoid jail himself; Harrigan wants the Bunch dead so they can't steal any more railroad payrolls; The bounty hunters want the blood money on the heads of the Wild Bunch; Mapache offers the gold as payment for the guns he needs to fight Villa.

 

 

Consequence as it relates to Becoming:

Death, the ultimate transformation, is the consequence for failure in The Wild Bunch: Failing to get away with their gold, Pike, Dutch, and the Gorch brothers embody some nobility in dying for what they believe in; Mapache's career as an oppressor ends when his men are wiped out and their guns taken; The bounty hunters are apprehended and killed by Sykes, and fail to deliver their pelts; The throat slit Angel is denied the chance to see his people freed; Thornton doesn't get his man, but happily becomes a free man and an outlaw again.

 

 

Cost as it relates to The Subconscious:

Despite his desire to keep his men united, Pike ruthlessly sacrifices weaker members of the Bunch -- Crazy Lee and Buck -- when they threaten the group's goals; Thornton feels bad about going after his former partner, Pike, and causing the death of innocent civilians; Angel murders his promiscuous fiancee when she rejects his village life; etc.

 

 

Dividend as it relates to The Future:

Angel gets his people the guns, a way for them to fight back the next time their villages are attacked; the Wild Bunch take Mapache and 200 of his soldiers to their death, liberating the region from further oppression; Sykes and Thornton find a new cause with the freedom fighters; Harrigan and his railroad won't be robbed by the Wild Bunch again.

 

 

Requirements as it relates to Learning:

Angel must learn who killed his father and "took" his fiancee before he can gain revenge; To get guns, Mapache must find out where they are:

PIKE
Arms shipments are generally kept a secret...

MOHR
No -- like Pershing, Mapache has an incredible
intelligence force -- organized under my
supervision.

(Green and Peckinpah, p. 53)

Harrigan must learn, through Thornton, how Pike thinks if he's to set traps for him; etc.

 

 

Prerequisites as it relates to Conceiving:

As leader of the Wild Bunch, Pike must come up with ideas for their next heist; Harrigan and Thornton must come up with ambushes at the railroad office and the train, if they're to capture Pike; Mapache and his advisor suggest that the Wild Bunch steal guns for him from the munitions train, in return for gold; Pike thinks of booby-trapping the wagon to prevent ambush by Mapache, and dynamiting the bridge to escape Thornton; etc.

 

 

Preconditions as it relates to The Conscious:

Thornton believes he must think like his old partner in order to figure out Pike's next move; Unfamiliar with Pike, Harrigan thinks he must rely on Thornton's sensibilities to tell him if the soldiers entering Starbuck are the Wild Bunch; Dutch considers helping Angel, but must leave him in Mapache's hands if he's to escape with his gold; Becoming cognizant of a way to get guns for his people, Angel contemplates the effects of arming Mapache:

ANGEL
I'm not going to steal guns for that pendeju
general then watch him rob my village and
kill my people.

(Green and Peckinpah, p. 56)

 

 

Forewarnings as it relates to The Present:

Eager to see what they've just stolen from the train, the Wild Bunch open the boxes of guns:

LYLE STRUGGLES, HOLDING A MACHINE GUN OF THE PERIOD.

LYLE
You know how to work one of these things?

Pike stands, then grins a little and crosses to the wagon.

PIKE
Whatever I don't know, I'm going to learn."

(Green and Peckinpah, p. 79)

Mapache's immediate glee upon receiving the machine-gun foreshadows the climax, as he unleashes a lethal barrage of bullets, threatening everyone in sight.


THE SUBJECTIVE STORY THROUGHLINE:

 

Throughline Synopsis:

Main character Pike Bishop and obstacle character Deke Thornton meet face-to-face only twice -- once in flashback and then again after Pike's been killed. At other times, they view each other distantly, either down a gunsight or through binoculars. But it's the knowledge that the persistent Thornton's on his trail that affects Pike's thoughts and actions, constantly reminding him of his duplicity -- preaching loyalty while abandoning his colleagues. Pike finally commits to his word -- dying in the process -- and Thornton picks up where he left off.

 

 

Backstory:

Formerly partners, the two haven't met since Pike deserted Thornton to save his own skin:

... Pike and Thornton [are] hiding out in a bordello in a town where they've just pulled a job. Thornton, visibly apprehensive, urges they leave, while Pike orders him to relax, assuring him this is the last place the law will think to look. "How can you be so damn sure?" Thornton asks. Pike, with excruciating pomposity, replies, "Being sure is my business!" At that moment, the door bursts open to reveal a Pinkerton agent drawing a bead on Thornton. He fires and hits Thornton, while Pike uses the momentary diversion to escape out the back way.

(Seydor, p. 87)

 

 

Domain as it relates to Psychology:

While Thornton and Pike never meet face to face, Thornton's constant presence reminds Pike of how he abandons his associates when the going gets tough. The effect of Thornton's altered behavior in now working for the law is to point up Pike's own intractability:

LYLE
I thought Deke Thornton was your sidekick.

PIKE
He was -- but he got old and tired and when that
happens, things change.

DUTCH
He changed -- you didn't!

(Green and Peckinpah, p. 17)

 

 

Concern as it relates to Becoming:

Pike is an unchanging man in changing times, who knows:

PIKE
We got to start thinking beyond our guns
-- them days are closin' fast.

(Green and Peckinpah, p. 26)

--though he's unable to act upon that sentiment. Thornton has changed since Pike's act of betrayal, becoming a bounty hunter for the very railroads that Pike targets for robbery. As Dutch notes:

DUTCH
He changed -- you didn't!

(Green and Peckinpah, p. 17)

 

 

Range as it relates to Commitment:

Thornton commits to bringing Pike in, regardless of who gets killed along the way; Pike admires the steadfastness of Thornton -- he's given his word, even if it is to the railroad; Pike feels guilty for his lack of devotion to Thornton, running out on him in the whorehouse.

 

 

Counterpoint as it relates to Responsibility:

Both Pike and Thornton know that Thornton was chosen for the job because he knows his quarry, having once been his partner; An honorable man, Thornton squirms at being Harrigan's Judas Goat, and would just as soon join Pike as kill him; Pike knows his days as an outlaw are numbered, that he's vulnerable to "any fool that can read a wanted poster and carry a gun," while:

DUTCH
Deke Thornton isn't just any fool that can carry
a gun and read a wanted poster.

(Green and Peckinpah, p. 17)

 

 

Thematic Conflict as it relates to Commitment vs. Responsibility:

Even though he realizes times are changing and his way of doing business is fast becoming obsolete, Pike sticks with his lifestyle of living by the gun and dies by it, knowing of no viable alternative. Though Thornton has qualms about what he's doing, he remains dedicated to bringing Pike in until he witnesses his self-sacrifice. At that point, he feels unable to stomach taking Pike's body back -- preferring to send it with his bounty hunters -- and instead takes up Pike's gun and his newfound cause.

 

 

Problem as it relates to Pursuit:

Thornton was chosen to go after Pike for a reason:

HARRIGAN
I gave you this chance because you know Bishop!

(Green and Peckinpah, p. 19)

As the two are former partners and have similar M.O.'s, Thornton's able to predict how Pike will behave. Thornton's persistent pursuit is a constant reminder to Pike of how he runs out on people when they need him most, a quality he dislikes in himself.

...Pike is aware that his abandonment of Thornton years before set in motion the of events that now causes his best friend to pursue him. In essence, Pike is really being pursued by his own guilty conscience in the person of Thornton.

(Bliss, in Doing It Right. p. xv)

 

 

Solution as it relates to Avoidance:

If Thornton would only dodge the bounty hunters he's leading and make a run to freedom -- which is what Pike would probably do in the same situation, but Thornton's a man of his word -- Pike might be able to forget his personal demons.

 

 

Focus as it relates to Faith:

It's Pike's overconfidence in himself that holds Thornton up in the whorehouse long enough to get shot:

PIKE
We've got plenty of money to spend and not a
worry in the world. They're not going to look
for us in their own back yard.

THORNTON
How can you be so sure?

PIKE
Being sure is my business.

 

 

Direction as it relates to Disbelief:

Harrigan is unconvinced of Thornton's explanation of why he didn't shoot Pike when he had the chance; Thornton's not convinced of Pike's reasoning in the whorehouse -- when there's a knock at the door, he yells to the woman going to open the door to "Hold it!" but she listens to Pike and gets Thornton shot; Feeling bad about Pike's death, Thornton can't be persuaded to take his body back to Harrigan:

COFFER
You sure you ain't coming?

THORNTON
I'm sure.

(Green and Peckinpah, p. 113)

 

 

Stipulation as it relates to Conceiving:

In the whorehouse flashback, Thornton reluctantly allows Pike's ideas about what their pursuers will do next to determine his future; Conceiving of Pike's next moves, Thornton's able to keep up with him; Influenced by Pike's example, Thornton likes the idea of taking up Angel's cause and joining Sykes.

 

 

Catalyst as it relates to Obligation:

After the Starbuck massacre, Harrigan pressures Thornton to bring in Pike by reminding him of their deal:

HARRIGAN
My company negotiated your release for services
-- I think you'd better show your appreciation.

(Green and Peckinpah, p. 19)

And later when Thornton and Harrigan are planning to trap Pike with the train:

HARRIGAN
24 more days!

 

 

Inhibitor as it relates to Dream:

Pike unrealistically aspires to escape Thornton's reach by giving up his life of crime:

PIKE
We got to start thinking beyond our guns --
them days are closin' fast.

(Green and Peckinpah, p. 26)

--and:

PIKE
This was going to be my last too... [...] I'd like to
make a good score -- then back off.

DUTCH
Back off to what?

(Green and Peckinpah, p. 28)


Pike Bishop's THROUGHLINE:

 


Role:

Leader of the Wild Bunch

 

 

Description:

PIKE BISHOP, wearing lieutenant's bars rides slightly ahead of the others. He rides stiffly, always slightly in pain. Pike is a not unhandsome, leather faced man in his early forties. A thoughtful, self-educated top gun with a penchant for violence. He is afraid of nothing -- except the changes in himself and those around him.

Make no mistake, Pike Bishop is not a hero -- his values are not ours -- he is a gunfighter, a criminal, a bank robber, a killer of men. His sympathies are not for fences, for trolleys and telegraphs or better schools. He lives outside and against society because he believes in that way of life and if he has moments of sympathy for others, moments of regret, they are short lived. He is not a 'good man' according to the righteous...To them he is totally bad, and he wouldn't have it any other way.

(Green and Peckinpah, p. 1)

 

 

Throughline Synopsis:

Pike Bishop is a man who wants things to go on like they used to be, while realizing that's not realistically possible. He loathes himself for deserting others, but repeats this action with Crazy Lee, Buck, and Angel. He's haunted by memories of abandoning his best friend Thornton, and it's to make up for that that he sticks with Angel, joining him in death and a little glory.

 

 

Backstory:

Pike Bishop's a man with misgivings about his past deeds and missed opportunities. When ambushed in a whorehouse, he fled and left Deke Thornton to be shot and captured. Also, as he tells Dutch in the steam hut:

PIKE
I met a woman I wanted to marry. She had a
husband and I should have had enough sense to
kill him. But he wasn't around and I got careless.
One night I woke up as he walked in -- watching
me over a shotgun. First barrel went in her
face...I was running for my gun on the other side
of the room when he caught me with the second.
[...] He cleared out and it took me five years to
find his son...who told me where the old man is
living, before I killed him. He's in Cuba now
and when this job is over I'm going after him...
There hasn't been a day or an hour that I haven't
thought about getting him...

(Green and Peckinpah, pp. 60-61)

 

 

Domain as it relates to Universe:

At a time when encroaching technology -- the motor car, machine gun, and telegraph -- is making him obsolete and ineffective, Pike's aging fast:

PIKE
I'm not getting around any better -- like the
red-haired lady said to the white-haired judge --
"I only got so many miles left in my backside,
Your Honor, and I aim to keep it moving while
I'm still young enough to feel what it's there for."

(Green and Peckinpah, p. 28)

He's wounded physically and psychologically, to the point where his own men doubt his abilities:

LYLE
Riding with 'Brother Pyke' [sic] and old Sykes
makes a man wonder, if it ain't time to pick up
his chips and find another game.

TECTOR
How in hell are you going to side anybody if you
can't get on a horse.

(Green and Peckinpah, p. 32)

 

 

Concern as it relates to The Future:

Pike has vague dreams but no real hopes for the future -- a man who knows his time is up:

LYLE
Say -- I've heard it's like the old times in
Argentina...Butch Cassidy down there
making a killing...

PIKE
It'll be the same there -- all over in a few years.
Those mining companies will bring a bunch of
hardcases down there and Butch'll get busted
just the same...Every one of us is worth a year
of drinking and whoring to any fool that
can read a wanted poster and carry a gun.

(Green and Peckinpah, p. 17)

--and:

PIKE
I don't know any better -- maybe don't want any
better. I wouldn't know what to do with 'better'
if it poked me in the eye with a sharp stick.

(Green and Peckinpah, p. 28)

 

 

Range as it relates to Preconception:

Pike puts his foot down about sharing the loot the same way as always; He's single-minded about the forces of law and order waiting for him:

PIKE
I wouldn't have it any other way.

(Green and Peckinpah, p. 29)

He's adamant about the Bunch sticking together, just like it used to be; Pike's initially unreceptive to the idea of rescuing Angel.

 

 

Counterpoint as it relates to Openness:

Pike's receptive to the Temperance march -- as cover for the Bunch's escape from Starbuck; Though he has no fondness for Mapache and his cause, Pike's open to stealing guns for him as a way to get gold; Pike's swayed enough by Angel's idealism to allow him a case of guns; Pike shows his willingness to re-evaluate with the phrase "Why not?" when offered Mapache's whores; Pike re-evaluates his whole life and decides to fight for Angel's freedom.

 

 

Thematic Conflict as it relates to Preconception vs. Openness:

Pike's resistant to change, even though the old ways are not working as well any more. With Angel as an example and Thornton as a constant reminder, he finally re-evaluates his lifetime of running out on people and stands by Angel, living up to his word:

PIKE
We started together -- we'll end it together.

(Green and Peckinpah, p. 33)

 

 

Problem as it relates to Help:

Pike helps Angel and the people of his village attain independence by allowing them a case of Mapache's guns; Pike's final decision to live by his words -- to help the tortured Angel -- is what ends his life.

 

 

Solution as it relates to Hinder:

If Pike continued his earlier obstruction of Angel's vengeance, he and his Wild Bunch would remain alive and free:

GUARD
Mapache? More than a general -- a man to
rule all Mexico if God wills.

ANGEL SMILES AT THE MAN, TURNS AND CROSSES TOWARD THE CANTINA. PIKE STOPS HIM.

PIKE
You're here with us, pardner -- any business you
got with the general comes after we finish ours
-- understand?

ANGEL
As you wish.

(Green and Peckinpah, p. 44)

Similarly, he at first blocks any notion to rescue Angel:

DUTCH
Sykes says we got to go after him.

TECTOR
How in hell can we do that?! They got guns
and 200 men... Besides, chances are he's dead
by now.

PIKE
(finally)
No way... no way at all.

(Green and Peckinpah, p. 97)

 

 

Focus as it relates to Control:

To help keep his unruly Bunch together, Pike exerts control by lecturing them:

PIKE
We don't get rid of nobody -- we stick together --
just like it used to be -- when you side with a man
you stick with him --! If you can't do that you're
worse than some animal -- you're finished -- we're
finished -- all of us!

(Green and Peckinpah, p. 32)

Pike also keeps a tight rein on his true emotions:

Even though it is placed later in the film, the flashback showing Aurora's death is most to the point here, for it is there that Peckinpah makes manifest the full extent to which Pike keeps his deepest feelings to himself. This is the only flashback accompanied by voiceover--Pike affecting a toughness of attitude, telling Dutch all he thinks about is getting even with Aurora's husband. The images, however, focus chiefly on Pike's own sometimes careless treatment of Aurora (he arrives two days late for a rendezvous, offering neither explanation nor apology) and on their last few moments of tenderness together before she is killed.

(Seydor, p. 164)

 

 

Direction as it relates to Uncontrolled:

When Pike's rigid control causes tension amongst Bunch members -- or between the Bunch and others, such as when Angel kills Teresa and there's a Mexican standoff -- Pike encourages unregulated laughter as a way to diffuse it.

 

 

Stipulation as it relates to The Present:

Pike assesses buckshot Buck's current situation as hopeless, and executes him so the Bunch's escape won't be slowed:

PIKE
(dryly)
You want to move on - or stay here and give him a decent burial?

(Green and Peckinpah, p. 16)

He lets the Gorches know how things stand regarding sharing the loot -- same as always; When the Pinkertons enter the whorehouse, Pike seizes the moment and runs out on Thornton; Before the raid on the train, he emphasizes:

PIKE
This is the last go round -- this time we do it right.

(Green and Peckinpah, p. 61)

With Mapache's death, time seems to stop as everyone freezes in shock -- until the Wild Bunch's leader initiates Pike's last stand by shooting the German advisor.

 

 

Unique Ability as it relates to Preconception:

Pike is stubborn in his determination to run the Wild Bunch his way or no way, as he tells the Gorches:

PIKE
If you two boys don't like equal shares and a little
for the old man -- why in hell don't you just take
it all. [...]

LYLE
Ah -- Pike, you know...

PIKE
I don't know a goddamned thing except I either lead
this bunch or I end it -- right now!

(Green and Peckinpah, p. 23)

The tight-knit cooperation his stubbornness engenders enables the Bunch to pull off their heists so well, but when Pike's guilt over Angel enters the equation, it adds up to doom for them all.

 

 

Critical Flaw as it relates to Morality:

[...] despite all of the preceding talk about unity, Pike (and the rest of the Bunch) abandoned Crazy Lee, just as Pike abandoned Abe [sic] and will abandon Angel and Sykes himself. What we witness in these conflicts between words and deeds is Pike's having to balance considerations regarding the individual against those of the group. [...] Yet opposed to these practical considerations is Pike's basic desire--doubtless in response to his guilt over having abandoned Thornton--to remain loyal to the men in the Bunch.

(Bliss, p. 99)

In the end, it's Pike's decision to selflessly lead the Bunch against the superior forces of Mapache, in order to get Angel back, that dooms him as it redeems his reputation.


Deke Thornton's THROUGHLINE:

 

Role:

Judas Goat

 

 

Description:

...DEKE THORNTON, an older man crouching next to him. Thornton has a deeply lined face and the resigned manner of a man who has changed sides to stay alive, although part of his life has gone out of him with the change.

(Green and Peckinpah, p. 5)

 

 

Throughline Synopsis:

In order to gain his freedom, Deke Thornton hunts down Pike who, ironically, was responsible for his loss of freedom. Thornton tracks Pike but can never get closer than one step behind him, eventually catching up with him only because he's been killed. Thornton feels no vengeful satisfaction at this, but rather a lack of purpose now his quarry's dead and he's free. Joining up with Sykes and Angel's people in the cause of freedom provides his future with meaning.

 

 

Backstory:

Deke was Pike's partner and best buddy, until he trusted him too much and got shot and captured for his trouble:

THORNTON
How can you be so sure?

PIKE
Being sure's my business.

Now he's out on parole, working for the self-assured Harrigan:

THORNTON
How does it feel to be so Goddamned right?

HARRIGAN
Good, Mr. Thornton...it feels good.

THORNTON
You dirty son of a bitch.

HARRIGAN
You have 30 days -- 30 days to Yuma. You're
my Judas goat. You use them -- lead them -- kill
them off. When you come back, I want all of
them head down over a saddle. Pike -- All of
them -- head down over a saddle. 30 days.

(Green and Peckinpah, pp. 20-21)

 

 

Domain as it relates to Mind:

Thornton's been released from prison because he knew Pike, and is the best man for the job of tracking him down and killing him. He never veers from his pledge to Harrigan to bring Pike in, a loyalty which even Pike respects him for:

DUTCH
Thornton -- they got Sykes. He's hit bad. Goddamn
Deke Thornton.

PIKE
What would you do in his place. He gave his word.

DUTCH
Gave his word to a Goddamned railroad.

PIKE
Still, it is his word.

(Green and Peckinpah, p. 98)

 

 

Concern as it relates to The Subconscious:

Although Thornton does Harrigan's killing for him, it's clear he doesn't relish it:

THORNTON
Tell me, Mr. Harrigan -- how does it feel? Getting
paid for it? Getting paid to sit back and hire your
killings with the law's arms around you?! How
does it feel to be so Goddamned right?

(Green and Peckinpah, p. 21)

His true drive is to avoid going back to jail and more floggings, and he's true to his word to Harrigan until Pike's dead.

 

 

Range as it relates to Denial:

Even though his abandonment by Pike took place some time ago, Thornton can't forget or forgive it, and in coming after Pike reopens the wound for both of them.

 

 

Counterpoint as it relates to Closure:

Thornton feels a lack of resolution when coming across the corpse of Pike, who in ending his life helping Angel's cause, has reached some closure.

 

 

Thematic Conflict as it relates to Denial vs. Closure:

Thornton gets no satisfaction out of finding Pike dead, and it's only in picking up his gun -- and his mantle of newfound idealism -- that he can let that particular past go.

 

 

Problem as it relates to Pursuit:

Thornton's pursuit of Pike causes Thornton problems not only because Pike doesn't want to be pursued, but because Thornton doesn't want to hunt down his old friend. Harrigan so distrusts his motivation that he threatens:

HARRIGAN
If one of you tries to quit on me, I'll pay a bonus
of $1,000 to the man that kills him.

 

 

Solution as it relates to Avoidance:

Avoiding going back to jail is what will truly satisfy Thornton. If he could avoid the capture of Pike, while at the same time avoiding Harrigan's wrath, he'd be a lot happier:

HARRIGAN
You might run off with them. Might even
join them again. You'd like that, wouldn't you?

THORNTON
What I like and what I need are two different
things.

 

 

Focus as it relates to Consider:

Thornton considers the options Harrigan offers him -- staying in jail and receiving more whippings, or going after his partner whose arrogance put him there -- and votes for freedom, which means he must go after Pike and bring him in.

 

 

Direction as it relates to Reconsider:

Disappointed with his motley crew of "damned egg sucking chicken stealing gutter rats," Thornton reconsiders his promise to bring Pike in:

THORNTON
Shut your mouth! You don't even have enough
sense to keep your Goddamned boots on. We're
after men -- and I wish to God I was with them.
You make any more mistakes and I'm going to
ride off and let you die.

(Green and Peckinpah, p. 80)

-- but the thought of going back to jail or execution keeps him on Pike's trail.

 

 

Stipulation as it relates to The Conscious:

While Thornton's angry that Harrigan may get more innocent people killed in pursuit of Pike, he considers the alternative:

THORNTON
I don't want to go back to jail, Mr. Harrigan...
not ever.

(Green and Peckinpah, p. 20)

After his men shoot the U.S. soldiers by mistake, he realizes that now they must bring in Pike:

THORNTON
Unless you'd like to go back and face a firing
squad.

(Green and Peckinpah, p. 71)

When his men lose the trail of the Bunch's wagon, Thornton knows they're being watched and keeps going the wrong way; Though his men want to hunt down the injured Sykes, Thornton considers Pike and the others more important targets.

 

 

Unique Ability as it relates to Denial:

Thornton refuses to let Pike go, and his constant presence is a reminder of Pike's earlier betrayal of him -- causing problems for Pike:

DUTCH
What about Thornton and them others?

PIKE
Last I saw they was cuttin' out -- But if Deke made it
-- he'll be payin' a visit.

(Green and Peckinpah, p. 73)

--and:

DUTCH
At least we don't have to worry about
Deke Thornton.

PIKE
Hell no, not after riding a half case of dynamite
into the river.

SYKES
Well don't expect him to stay there. He'll be along
and you know it.

 

 

Critical Flaw as it relates to Responsibility:

While Harrigan thinks Thornton's the man to bring Pike in, Deke himself is not sure he's the one to kill him:

HARRIGAN
I am wondering why you shot the paymaster
and let your 'old friend' get away.

THORNTON
I tried -- but I spooked -- it happens, Mr. Harrigan
-- to any of us. Today it happened to all of us.

(Green and Peckinpah, p. 19)

He's disgusted by Harrigan's (and thus his own) wanton killing under the color of law:

THORNTON
Tell me, Mr. Harrigan -- how does it feel? Getting
paid for it? Getting paid to sit back and hire your
killings with the law's arms around you?! How
does it feel to be so Goddamned right?

(Green and Peckinpah, p. 20)


ACT PROGRESSIONS:

 

The Objective Throughline Act Order:

 

 

Objective Story Signpost #1 as it relates to Understanding:

The railroad clerks understand what they're up against when Pike tells Crazy Lee:

PIKE
If they move, kill 'em.

The Wild Bunch understand how determined Harrigan's bounty hunters are when they shoot into the townspeople. Pike understands the pursuit is personal for Thornton, the partner he abandoned.

 

 

Objective Story Journey #1 from Understanding to Doing:

The Wild Bunch escape Thornton's ambush, only to realize they've been tricked with washers. They flee across the border to Mexico, tracked by Thornton, who's spurred on by Harrigan.

 

 

Objective Story Signpost #2 as it relates to Doing:

The Wild Bunch spend time in Angel's village, singing, dancing, feasting and playing like children, as:

DON JOSE
We all dream of being a child again -- even the
worst of us -- perhaps the worst most of all.

(Green and Peckinpah, p. 37)

Thornton and his men follow the Bunch's trail.

 

 

Objective Story Journey #2 from Doing to Obtaining:

Feted by the villagers, the Wild Bunch look for opportunities in Agua Verde, where they're hired to obtain guns for Mapache. The angry Angel takes Teresa's life, while the frustrated Thornton and Harrigan plot to ambush Pike again.

 

 

Objective Story Signpost #3 as it relates to Obtaining:

The Wild Bunch hijack the train and steal the arms shipment. Thornton, his bounty hunters, and the untrained soldiers try to stop them.

 

 

Objective Story Journey #3 from Obtaining to Learning:

While pleased to receive the guns from the Wild Bunch, Mapache's displeased to learn of Angel's theft and captures him. Thornton ambushes Sykes, but runs when he learns Mapache's men are after him.

 

 

Objective Story Signpost #4 as it relates to Learning:

Mapache learns that the Wild Bunch won't take no for an answer regarding Angel, so he slits Angel's throat and starts an all-out massacre.

 

 

The Subjective Throughline Act Order:

 

 

Subjective Story Signpost #1 as it relates to Conceptualizing:

Thornton carries out Harrigan's plan to ambush Pike and his men, including the idea to catch them coming out red-handed. When the tuba player stops Thornton's bullet meant for Pike, Pike doesn't like the idea of killing his old buddy and shoots a bounty hunter instead.

 

 

Subjective Story Journey #1 from Conceptualizing to Becoming:

Feeling pressure from Harrigan to get Pike or return to jail, Thornton contemplates how Pike never got caught.

 

 

Subjective Story Signpost #2 as it relates to Becoming:

Pike thinks back (and so does Thornton) to the defining moment in their relationship, when Thornton got shot and became a prisoner, while Pike ran out on him and became a lesser man.

 

 

Subjective Story Journey #2 from Becoming to Being:

Determined to become the one to catch Pike, Thornton and his men ambush the Wild Bunch on the train, but it's Pike who sends Thornton down river with the help of dynamite.

 

 

Subjective Story Signpost #3 as it relates to Being:

Thornton leads his men past where Pike's hiding the wagon of guns, pretending to have lost the trail:

THORNTON
We didn't lose them -- I could point to
them now.

(Green and Peckinpah, p. 79)

But Pike isn't able to figure out Thornton's moves:

PIKE
Are they bluffing or did they really miss it?

(Green and Peckinpah, p. 76)

 

 

Subjective Story Journey #3 from Being to Conceiving:

Thornton's deception pays off when he ambushes Sykes. Pike's admiration for Thornton's loyalty to Harrigan causes him to hide out in Agua Verde and send Mapache after Thornton.

 

 

Subjective Story Signpost #4 as it relates to Conceiving:

Thornton picks up the dead Pike's gun, a souvenir of their former relationship, and abandons any ideas of taking Pike's body back to Harrigan.

 

 

The Main Character Throughline Act Order:

 

 

Main Character Signpost #1 as it relates to The Present:

The resourceful Pike turns the current situation to his advantage: pinned down in the railroad office, he finds cover in the Temperance marchers:

ANGEL
People marching and singing coming down the
street -- going to pass near the horses.

PIKE
(grinning)
We'll join in...

(Green and Peckinpah, p. 7)

Pike leaves Crazy Lee in place to delay his pursuers.

 

 

Main Character Journey #1 from The Present to The Past:

Surprised at being stalked by an old friend he deserted, Pike repeats his betrayal in the present with Crazy Lee and Buck, running out on his partners again.

 

 

Main Character Signpost #2 as it relates to The Past:

Faced with mutinous rumblings among the Wild Bunch he leads, Pike lays down the law by letting the Gorches know he's going to run things the way he has in the past: